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Turbine at Downstage (+video)

04 Mar 2009
Turbine is more about human nature than environmental issues; it is about human opposition to change

By Cindy Williamson

SEEyD Theatre Company’s production of Turbine at Downstage Theatre, Wellington, explores the topic of wind farming. Turbine is more about human nature than environmental issues; it is about human opposition to change and unwillingness to compromise. It’s familiar territory to us all: we’re concerned about climate change, but are we prepared to make real sacrifices?

The play follows the experiences of the Gustens, a family living in rural Ohaunui. The Gustens are as concerned about climate change as anyone - they have their own solar panel and consider themselves to be environmentally conscious - but when the prospect of 70 wind turbines being installed near their home arises they take some drastic steps to prevent it. As SEEyD instinctively point out, change always has the most impact on the more vulnerable members of the community; a sentiment which is illustrated through Ariel Gusten, an autistic 27-year-old who is unable to cope with the disruption of the wind farm.

The play’s non-linear narrative cuts back and forth across time in short, snappy scenes. The focus on character adds depth and complexity, although the artificiality of the storytelling prevents the audience from becoming emotionally engaged. However, a heightened theatrical register allows SEEyD to show off their technical skills and creativity. And there are some fine performances - notably Lee Smith-Gibbons as Susan Gusten and Tim Spite, whose versatility as an actor is impressive.

The set is deliberately claustrophobic, and the actors remain on stage throughout the play. The white walls that surround the stage are used as a white board on which the actors draw a landscape, and then variously cover with political slogans, pictures of household appliances and, of course, wind turbines throughout the play. As a symbolic and indexical device it works well; and it also hints at temporality as images are furiously drawn then rubbed out.

It is a witty and articulate play that refuses to apply neat labels to the characters. Turbine doesn’t take sides but neither does it analyse the issues in great depth.

SEEyD Theatre Company deserves credit for taking on topical issues with a local focus. This is the first production I have seen by this company, and I eagerly await their next offering.

Turbine
13 Feb - 7 Mar
Book at Downstage Theatre 04 801 6946

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26/02/09