Courtesy of NZ Herald
13.10.2004 By ADAM GIFFORD
Sitting in Deborah Crowe's studio, a skyline garage behind her Three Kings home, we watch the way the changing light outside affects her new works.
Nylon monofilament, dyed in bright colours and wound in vertical lines around plates of thick glass, takes in the light and incandesces, changing its colour and that of neighbouring lines.
Many tense lines make light workCourtesy of NZ Herald
13.10.2004 By ADAM GIFFORD
Sitting in Deborah Crowe's studio, a skyline garage behind her Three Kings home, we watch the way the changing light outside affects her new works.
Nylon monofilament, dyed in bright colours and wound in vertical lines around plates of thick glass, takes in the light and incandesces, changing its colour and that of neighbouring lines.
Many tense lines make light work